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A contemporary Navajo rug Third phase Chief's blanket, circa 1870–1880. Navajo weaving (Navajo: diyogí) are textiles produced by Navajo people, who are based near the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for more than 150 years.
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep or commercial wool. Designs can be pictorial or abstract, based on traditional Navajo, Spanish, Oriental, or Persian designs. 20th-century Navajo weavers include Clara Sherman and Hosteen Klah , who co-founded the Wheelwright Museum of the American Indian .
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep, other breeds of sheep, or commercial wool. Designs can be pictorial or abstract, based on historic Navajo, Spanish, Asian, or Persian designs. 20th century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
Navajo textiles were originally utilitarian blankets for use as cloaks, dresses, saddle blankets, and similar purposes. Toward the end of the 19th century, weavers began to make rugs for tourism and export. Typical Navajo textiles have strong geometric patterns.
Both the Two Gray Hills and the Crystal styles of rug evolved from Moore's designs. [16] Until the 1930s the Crystal rugs were bordered, with a central design woven in natural colors, sometimes with some red. After this, the style changed to banded rugs with distinctive "wavy" lines made by alternating weft strands in two or three different colors.
Two corn plants, green in color, are located in the bottom and represent the sustainability of life of the Navajo. The tips of the two corn plants are decorated with pollen, which is often used in ceremonies. In the center, between the mountains, sheep, horse and cow are located, all of which symbolize the Navajo lifestock industry. [1] [2]
Daisy Taugelchee (c. 1909 – September 8, 1990) was a Navajo weaver. The Denver Art Museum declared Taugelchee as "widely considered the most talented Navajo weaver and spinner who ever lived". [1] In 2004 one of her rugs was featured on a United States Postal Service stamp.
The rugs continued to be popular through the 19th century. The design motifs on early American hooked rugs varied, consisting predominantly of geometric patterns, floral designs, landscapes, seascapes and animals. No matter what the motif, hooked rugs displayed a great sense of individual expression.