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Debussy c. 1900 by Atelier Nadar (Achille) Claude Debussy [n 1] was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at ...
Edward Lockspeiser (21 May 1905 – 3 Feb 1973) was an English musicologist, composer, art critic and radio broadcaster on music who specialized in the works and life of French composer Claude Debussy and was considered one of the few British authorities on French classical music.
In 1916 he described Debussy as "a pupil of Claude Monet", a description the composer was happy to accept. [6] Also from around 1916 Émile Vuillermoz was at the forefront of serious film criticism in France, [3] often using the pseudonyms Gabriel Darcy and Claude Bonvin.
Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. [3] He was the second son of Claude Adolphe Monet (1800–1871) and Louise Justine Aubrée Monet (1805–1857), both of them second-generation Parisians.
La cathédrale engloutie" (The Sunken Cathedral) is a musical composition by the French composer Claude Debussy for solo piano, published in 1910. It is the tenth piece in Debussy's first book of préludes. It is characteristic of Debussy in its form, harmony, and content.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Debussy and Messager debuted excerpts of the opera Pelléas et Mélisande at one salon. In 1894, Debussy debuted his symphonic poem Prélude à l'après-midi d'un faune at one of her salons. [citation needed] Fauré dedicated two of his works, Trois mélodies, Op. 7 and Nocturne No. 1 in E♭ minor, Op. 33/1, to de Saint-Marceaux. [10]
Des pas sur la neige is a musical composition by French composer Claude Debussy. It is the sixth piece in the composer's first book of Préludes , written between late 1909 and early 1910. The title is in French and translates to "Footprints in the Snow" The piece is 36 measures long and takes approximately three and a half to four and a half ...