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José Rosario Oviedo (October 5, 1885 – 1927), better known as Malanga, was a Cuban rumba dancer. He is considered one of the most famous columbia dancers and his mysterious death has been the subject of numerous essays, poems and songs, most notably "Malanga murió", written by Faustino Drake and performed by Arsenio Rodríguez amongst others.
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
Throughout Latin America, "rumba" acquired different connotations, mostly referring to Cubanized, danceable, local styles, such as Colombian rumba criolla (creole rumba). At the same time, "rumba" began to be used a catch-all term for Afro-Cuban music in most African countries, later giving rise to re-Africanized Cuban-based styles such as ...
In addition, numerous dance traditions were brought by black slaves from West Africa and the Congo Basin, giving rise to religious dances such as Santería, yuka and abakuá, as well as secular forms such as rumba. Many of these dance elements from European dance and religious dances were fused together to form the basis of la técnica cubana.
In Cuba, a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s. Dancing Casino is an expression of popular social culture in Cuba and many Cubans consider casino a part of their social and cultural activities centering on ...
The Son cubano itself was born from a synthesis of different popular styles such as the Rumba Urbana and Rumba Rural, and performed until the 1930s by amateur musicians. [7] Another Cuban folk music style emerged between the end of the 19th century and the beginning of the 20th in the poor neighborhoods of Havana.
At this time, however, the term descarga began to be used in a different way to describe jam sessions based on the son montuno and other Afro-Cuban rhythms. [1] The incipient mambo and Afro-Cuban jazz scene found in New York during the 1940s was also a catalyst of the development of descargas, with artists such as Machito , Dizzy Gillespie ...
Most salsa music is played with one of the son claves, though a rumba clave is occasionally used, especially during rumba sections of some songs. As an example of how a clave fits within the 8 beats of a salsa dance , the beats of the 2-3 Son clave are played on the counts of 2, 3, 5, the "and" of 6, and 8.