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The earliest depictions of women riding with both legs on the same side of the horse can be seen in Greek vases, sculptures, and Celtic stones. Medieval depictions show women seated aside with the horse being led by a man, or seated on a small padded seat (a pillion) behind a male rider.
The sidesaddle did not become practical for everyday riding until the 16th-century development of the pommel horn that allowed a woman to hook her leg around the saddle and hence use the reins to control her own horse. Even then, sidesaddle riding remained a precarious activity until the invention of the second, "leaping horn" in the 19th century.
Mounting blocks were especially useful for women riding sidesaddle or pillion, that is 'riding double', [2] allowing a horse to be mounted or dismounted without a loss of modesty. Women would often ride behind their husbands and servants who were on foot. [3] They were also used to assist ladies and men into and out of carts. [4]
Japan's Chihiro Akami, an example of a female jockey. The place of women in equestrianism has undergone significant societal evolution. Until the 20th century, in most Eurasian and North African countries, and later in North and South America, the horse was primarily a symbol of military and masculine prowess, associated with men for both warfare and daily labor.
In France in the 17th century, women who rode wore an outfit called a devantiere. [1] The skirt of the devantiere was split up the back to enable astride riding. [2] By the early 19th century, in addition to describing the whole costume, a devantiere could describe any part of the riding habit, be it the skirt, [2] the apron, [3] or the riding ...
Trick (or stunt) riding saddles are similar to western saddles and have a tall metal horn, low front and back, reinforced hand holds and extended double rigging for a wide back girth. Endurance riding saddle, a saddle designed to be comfortable to the horse with broad panels but lightweight design, as well as comfortable for the rider over long ...
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It sometimes stretched as far back as the saddle. Barding was often used in conjunction with cloth covers known as caparisons. These coverings sometimes covered the entire horse from nose to tail and extended to the ground. It is unclear from period illustrations how much metal defensive covering was used in conjunction.