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Moreover, Klein performed as solo pianist at approximately 15 recitals, [5] and also participated in chamber music performances (member of piano trio, piano quartet). Klein was deported to Auschwitz in October 1944 and then to Fürstengrube , a coal-mining labour camp, in October 1944, less than two weeks after completing his string trio.
He stated that far from being a medium of resistance, music was a supplementary torture instrument, an instrument of total domination. Music aggravated the detainees, physically and morally. It incited the detainees to work, without reflection. [3] Registration form of Simon Laks as a prisoner at Dachau Nazi Concentration Camp
The use of incidental music dates back at least as far as Greek drama.A number of classical composers have written incidental music for various plays, with the more famous examples including Henry Purcell's Abdelazer music, George Frideric Handel's The Alchemist music, Joseph Haydn's Il distratto music, [citation needed] Wolfgang Amadeus Mozart's Thamos, King of Egypt music, Ludwig van ...
Playing for Time was based on Fénelon's experience as a female prisoner in the Auschwitz concentration camp, where she and a group of classical musicians were spared in return for performing music for their captors. The film was later adapted as a play by Miller.
Menahem Pressler (Hebrew: מנחם פרסלר; 16 December 1923 – 6 May 2023) was a German-born Israeli-American pianist and academic teacher.He was known for his work with the Beaux Arts Trio that he co-founded in 1955, playing until its dissolution in 2008, in hundreds of recordings and thousands of concerts.
In 2006 a DVD with all 7 classical music spots will be released by KotorArt Production. Five documentary movies have been recorded about his work, of which the last one, »The Heaven And Soul« has won first prize in the International TV Festival in Albena, Bulgaria in 2004, and was officially the »Best musical TV production in 2004.« in ...
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The series uses four principal elements: rarely seen contemporary colour and monochrome film from archives, interviews with survivors such as Dario Gabbai and former German Nazis such as Oskar Gröning, computer-generated reconstructions of long-demolished buildings and detailed, historically accurate reenactments of meetings and other events.