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The New Grove musical dictionary summarizes the earliest historical traces of the harpsichord: "The earliest known reference to a harpsichord dates from 1397, when a jurist in Padua wrote that a certain Hermann Poll claimed to have invented an instrument called the 'clavicembalum'; [1] and the earliest known representation of a harpsichord is a sculpture (see below) in an altarpiece of 1425 ...
The Harpsichord Owner's Guide. Chapel Hill: University of North Carolina Press. Kottick, Edward (2003). A History of the Harpsichord. Indiana University Press. ISBN 0-253-34166-3. An extensive survey by a leading contemporary scholar. Russell, Raymond (1973). The Harpsichord and Clavichord: an introductory study (2nd ed.). London: Faber and Faber.
Harpsichord building was often considered a lesser side job for organ builders, while some few were specialized in either harpsichord or clavichord building. [ 1 ] Note that in the German speaking world the harpsichord was only one of several instruments referred to as clavier, and keyboard instruments seem to have been used more ...
It opened with two harpsichord suites, that is, the Partitas BWV 827 and 830, composed and written down by Johann Sebastian Bach. Anna Magdalena Bach likely received the notebook from her husband in the autumn of 1725, as a present for either her birthday (22 September) or their wedding anniversary (3 December). Nos. 3 to 11 in the notebook are ...
Couperin, engraving by Jean Jacques Flipart, 1735, after André Bouys.. Couperin was born in Paris, into a prominent musical family. [2] His father Charles was organist at the Church of Saint-Gervais in the city, a position previously held by Charles's brother Louis Couperin, the esteemed keyboard virtuoso and composer whose career was cut short by an early death.
His favoured models were two-manual harpsichords based on the French instruments of Blanchet and Taskin, including Ruckers harpsichords adapted by the grand ravalement process. Dowd's instruments have long provided the benchmark for reliability in terms of tuning and general stability, cleanliness of construction, and for the influence that ...
Musicians who play the harpsichord are known as harpsichordists. This list includes post 19th-century harpsichordists. This list includes post 19th-century harpsichordists. Notable earlier harpsichordists mostly appear on the list of Baroque composers .
What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going ...