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Thornton's "Hound Dog" was so popular that it spawned at least ten cover versions of the original before Elvis Presley recorded it in July 1956. [42] One of the earliest covers of Thornton's original was that of Little Esther , who recorded an R&B cover on March 11, 1953 (b/w "Sweet Lips") on Federal Records (Federal 12126) that was released by ...
Willie Mae "Big Mama" Thornton (December 11, 1926 – July 25, 1984), [1] was an American singer and songwriter of blues and R&B.. The Encyclopedia of Pop, Rock and Soul described Thornton saying "Her booming voice, sometimes 200-pound frame, and exuberant stage manner had audiences stomping their feet and shouting encouragement in R&B theaters from coast to coast from the early 1950s on".
In 1955, they made their first recordings for the Teen Records label, including an adaption of Leiber and Stoller's "Hound Dog" (first recorded by Big Mama Thornton). [1] When performing the song in Las Vegas, they were seen by Elvis Presley, who was impressed and decided to record the song himself. [2] [3]
Throughout his career, Elvis had several iconic performances, from playing "Hound Dog"on The Milton Berle Show in 1956 to his legendary 1968 comeback performance covered in the 2024 Netflix ...
Legendary songwriter Mike Stoller joins our 'Rolling Stone Music Now' podcast to explain how he and Jerry Leiber wrote "Hound Dog" for Big Mama Thornton – and what happened afterwards
Elvis died in 1977 at the age of 42, but he very nearly made his mark on the NFL anyway; Memphis made a 1993 bid to join the NFL under the team name “Hound Dogs.”
On June 5, 1956, Presley performed the song on The Milton Berle Show, as well as an early version of "Hound Dog" [5] that resulted in both overwhelmingly favorable audience reaction and outrage. [5] Despite the heated public controversy, the single was generally well-received, reaching No. 3 on the Billboard Top 100 chart, and scoring No. 1 on ...
Think Elvis Presley was the first to record “Hound Dog,” one of his greatest hits? Think again. Singer and songwriter Willie Mae “Big Mama” Thornton actually deserves that recognition, though Presley's recording overshadowed her initial success with the song.