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An eighth note or a quaver is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note.
The rhythm within each measure is divided into two groups of three eighth notes each (notated by beaming in groups of three). This indicates a pulse that follows the eighth notes (as expected) along with a pulse that follows a dotted quarter note (equivalent to three eighth notes). Complex/irregular time signatures
The most common tuplet [9] is the triplet (German Triole, French triolet, Italian terzina or tripletta, Spanish tresillo).Whereas normally two quarter notes (crotchets) are the same duration as a half note (minim), three triplet quarter notes have that same duration, so the duration of a triplet quarter note is 2 ⁄ 3 the duration of a standard quarter note.
The Kodály Method uses "Ta" for quarter notes and "Ti-Ti" for eighth notes. For sextuplets simply say triplet twice (see Sextuplet rhythm.png ), while quintuplets may be articulated as "un-i-vers-i-ty", or other five-syllable words such as "hip-po-pot-a-mus". [ 4 ]
4 (three beats per bar, with each beat being a quarter note); 2 4 (two beats per bar, with each beat being a quarter note); 6 8 (six beats per bar, with each beat being an eighth note) and 12 8 (twelve beats per bar, with each beat being an eighth note; in practice, the eighth notes are typically put into four groups of three eighth notes. 12
4 time Divisive Rhythm. 1 whole note = 2 half notes = 4 quarter notes = 8 eighth notes = 16 sixteenth notes. Additive rhythm features nonidentical or irregular durational groups following one another at two levels, within the bar and between bars or groups of bars. [6] This type of rhythm is also referred to in musicological literature by the ...
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Metric modulation: 2 half notes = 3 half notes or Play with eighth note subdivision for tempo/metre comparison. Thus if the two half notes in 4 4 time at a tempo of quarter note = 84 are made equivalent with three half notes at a new tempo, that tempo will be: