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Japanoise (ジャパノイズ, Japanoizu), a portmanteau of "Japanese" and "noise", is the noise music scene of Japan. [1] [2]Nick Cain of The Wire identifies the "primacy of Japanese Noise artists like Merzbow, Hijokaidan and Incapacitants as one of the major developments in noise music since 1990.
Merzbow (Japanese: メルツバウ, Hepburn: Merutsubau) is a Japanese noise project started in 1979 by Masami Akita, [1] [2] best known for a style of harsh noise music. Since 1980, Akita has released over 500 recordings and collaborated with numerous artists.
Industrial music is a form of experimental music which emerged in the 1970s. In the 1980s, industrial splintered into a range of offshoots, sometimes collectively named post-industrial music. [1] This list details some of these offshoots, including fusions with other experimental and electronic music genres as well as rock, folk, heavy metal ...
Music portal; Japan portal; 1980s portal; Topics specifically related to the decade 1980s in the music of Japan, i.e. in the years 1980 to 1989. 1930s; 1940s; 1950s ...
This is an alphabetical list of Japanese noise, or "Japanoise" (ジャパノイズ) bands and solo projects that have articles on Wikipedia. Project Name Project Name In Japanese
Japanese noise rock emerged in the 1980s with bands such as Melt-Banana, Zeni Geva and Guitar Wolf in the Japanese indies scene. Idols included Seiko Matsuda, Akina Nakamori, Hiroko Yakushimaru, Yōko Oginome, Yoko Minamino, Chisato Moritaka and Wink. [84] [85] Artists in the new music genre included Saki Kubota. [86]
Les Rallizes Dénudés (裸のラリーズ, Hadaka no rariizu) were a Japanese experimental noise rock band formed in 1967 in Kyoto, Japan.They gained a reputation many years after their breakup as one of Japan's most legendary experimental bands, and were a forcible influence on the noise rock scene within Japan and abroad.
The word for "music" in Japanese is 音楽 (ongaku), combining the kanji 音 on (sound) with the kanji 楽 gaku (music, comfort). [1] Japan is the world's largest market for music on physical media [ citation needed ] and the second-largest overall music market , with a retail value of US$2.7 billion in 2017.