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Baggy Pants Comedy: Burlesque and the Oral Tradition. Palgrave Macmillan US. ISBN 978-1-137-37872-9. DiNardo, Kelly. "Gilded Lili: Lili St. Cyr and the Striptease Mystique"; Archive of articles, video, pictures and interviews about neo-burlesque. [ISBN missing] Kenrick, John. A History of The Musical Burlesque; Sanders, Andrew (1994).
Burlesque and the New Bump-n-Grind; Briggeman, Jane (2009) Burlesque: A Living History. BearManor Media, 2009. ISBN 978-1-59393-469-9; DiNardo, Kelly. "Gilded Lili: Lili St. Cyr and the Striptease Mystique"; Archive of articles, video, pictures and interviews about neo-burlesque. Frye, Northrop. (1957) Anatomy of Criticism: Four Essays.
Juanita Dale Slusher (July 6, 1935 – December 30, 2005), better known by her stage name Candy Barr, was an American stripper, burlesque dancer, actress, and adult model in men's magazines of the mid-20th century.
In the latter 1990s, a number of solo performers and dance groups emerged to create Neo-burlesque, a revival of the classic American burlesque striptease of the early half of the 20th century. New Burlesque focuses on dancing, costumes and entertainment (which may include comedy and singing) and generally eschews full nudity or toplessness.
This documentary film, directed by Leslie Zemeckis, explores the heyday of burlesque includes dozens of interviews with exotic dancers of the time, including April March, Lorraine Lee, Taffy O’Neill, Blaze Starr, Tempest Storm, Beverly Arlynne, Kitty West, Alexandra the Great '48, and many others; Mike Iannucci, burlesque performer Ann Corio's husband and producer of “This Was Burlesque ...
At the age of 20, [2]: 176 on 5 November 1967, [4] Cash attended a Dallas Cowboys home game against the Atlanta Falcons. [3] [4] Walking down an aisle carrying candy floss from a concessions stand, wearing a short skirt, Cash realised that she was attracting a lot of attention, including from print and television journalists, and did a small dance. [3]
"My ass doesn't look like maybe when I was 24. But there's other things about me that are getting better," says the icon, as she closes in on three groundbreaking decades in the industry.
The Serpentine Dance was a frequent subject of early motion pictures, as it highlighted the new medium's ability to portray movement and light.Two particularly well-known versions were Annabelle Serpentine Dance (1894), a performance by Broadway dancer Annabelle Whitford from Edison Studios, and a Lumière brothers film made in 1896. [6]