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E major 1849–50 Piano, original 2nd version of S.171a/6; arr. for org/harm as S.672d/4 172a A 61 Harmonies poétiques et religieuses (12): pf 1840–47 Piano, original 1st version of S.173 172a/ 1 A 61/ 1 Elevez-vous voix: pf E major 1840–47 Piano, original 1st version of S.172c, S.173/1 172a/ 2 A 61/ 2 Hymne de la nuit: pf E major 1840–47
List of compositions for saxophone, piano and percussion; List of compositions for two violins; List of compositions for viola: A to B; List of compositions for viola: C to E; List of compositions for viola: F to H; List of compositions for viola: I to K; List of compositions for viola: L to N; List of compositions for viola: O to R
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarole in F ♯ major, Op. 60 have cemented a solid place within the repertoire, as well as shorter works like his polonaises, mazurkas, waltzes, impromptus, rondos, and nocturnes taking a substantial portion of recorded and ...
The first of the Consolations is in E major and initially marked Andante con moto. The shortest of the set, consisting of just 25 measures, it has an identical opening to another of Liszt's works, the Album-Leaf (Première Consolation), S. 171b. [23] Consolation No. 2 is also in E major and is initially marked Un poco più mosso. It is often ...
Piano Concerto No. 3 (Bartók) Piano Quartet in E major (Saint-Saëns) Piano Quintet No. 2 (Farrenc) Piano Sonata in E major, D 157 (Schubert) Piano Sonata in E major, D 459 (Schubert) Piano Sonata No. 9 (Beethoven) Piano Sonata No. 30 (Beethoven) Piano Trio No. 4 (Mozart) Piano Trio No. 44 (Haydn) Prelude (Toccata) and Fugue in E major, BWV 566
Following Bartók's lines, in Liszt's Piano Sonata the "Andante sostenuto" in F-sharp minor was "of course" banal, the second subject "Cantando espressivo" in D major was sentimentalism, and the "Grandioso" theme was empty pomp. Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music ...
It starts with a four-note lyrical melody which folds itself through the work, followed by a Chopin-like chromatic pattern which reappears again in the coda. Although the piece opens and ends in A-flat major, it shifts throughout its three parts to many other keys, A, G, D-sharp, F-sharp and B among them. [1]