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"Trade wind" is a Brazilian-style instrumental with Balawan's acoustic guitar playing and composition. "Like a Bird" is the only song in English on this album, composed as a modern R'n'B style with a mix of Balinese gamelan instruments.
Balinese gamelan Balinese musicians. Balinese music can be compared to Javanese music, especially that of the pre-Islamic period. During that time, Javanese tonal systems were imported to Bali. Balinese gamelan, a form of Indonesian classical music, is louder, swifter and more aggressive than Sundanese and Javanese music. Balinese gamelan also ...
Gong kebyar music is based on a five-tone scale called pelog selisir (tones 1, 2, 3, 5, and 6 of the 7-tone pelog scale), and is characterized by brilliant sounds, syncopations, sudden and gradual changes in sound colour, dynamics, tempo and articulation, and complex, complementary interlocking melodic and rhythmic patterns called kotekan.
A similar type of ensemble, Gamelan Pelegongan, substitutes a pair of gendérs for the trompong as the melody carrier and plays the music for a set of dances known as legong. In mediaeval Bali (circa 1700–1906) gamelan semar pegulingan was an important part of the Balinese courts.
Balinese gamelan. Balinese Music (1991) by Michael Tenzer, ISBN 0-945971-30-3. Included is an excellent sampler CD of Balinese Music. Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music (2000) by Michael Tenzer, ISBN 0-226-79281-1 and ISBN 0-226-79283-8. Music in Bali (1966) by Colin McPhee. New Haven, CT: Yale University Press.
Gamelan gender wayang is a style of gamelan music played in Bali, Indonesia.It is required for wayang (shadow puppet theatre) and most sacred Balinese Hindu rituals. The smallest of gamelan ensembles, it requires only two players and is complete at four, the additional instruments doubling an octave above.
Vol. 4: Music of Nias & North Sumatra: Hoho, Gendang Karo, Gondang Toba. Vol. 5: Betawi and Sundanese Music of the North Coast of Java. Vol. 6: Night Music of West Sumatra. Vol. 7: Music from the Forests of Riau and Mentawai. Vol. 8: Vocal and Instrumental Music from East and Central Flores. Vol. 9: Vocal Music from Central and West Flores.
During their colonization of Bali in the late nineteenth century, the Dutch dissolved the courts. The use of the gong gede became limited to temple music. [ 4 ] It was later superseded in popularity by gong kebyar , a more up-tempo form of gamelan played with smaller gongs, that originated in Balinese villages in the late 19th century and ...