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Most likely, the effect was first observed in scenery photographs including the sun. The sun, instead of being the whitest spot in the image, turned black or grey. For instance, Minor White's photograph of a winter scene, The Black Sun 1955, [1] was a result of the shutter of his camera freezing in the open position, producing severe overexposure.
The KPT Projector takes the current image or selection and offers a number of interactive perspective warp effects. To a large extent, with its draggable distortion handles and its moving, scaling and rotating options, this simply duplicates Adobe Photoshop's Free Transform capabilities. What is completely different is the ability to rotate the ...
In volumetric lighting, the light cone emitted by a light source is modeled as a transparent object and considered as a container of a "volume". As a result, light has the capability to give the effect of passing through an actual three-dimensional aerosol (e.g. fog, dust, smoke, or steam) that is inside its volume, just like in the real world.
Lens flare on Borobudur stairs to enhance the sense of ascending. A lens flare is often deliberately used to invoke a sense of drama. A lens flare is also useful when added to an artificial or modified image composition because it adds a sense of realism, implying that the image is an un-edited original photograph of a "real life" scene.
The Photoshop and illusions.hu flavors also produce the same result when the top layer is pure white (the differences between these two are in how one interpolates between these 3 results). These three results coincide with gamma correction of the bottom layer with γ=2 (for top black), unchanged bottom layer (or, what is the same, γ=1; for ...
Depending on the meteorological situation the effect will present the Sun as a line or a square (which is sometimes referred to as the "rectangular sun"), made up of flattened hourglass shapes. The mirage requires rays of sunlight to have an inversion layer for hundreds of kilometres, and depends on the inversion layer's temperature gradient ...
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[1] In simplest terms, bright sun = f:16 @ 1/film-speed-number (aperture and shutter speed, respectively). For example: On a sunny day at ISO 100 ("100 speed film"), the aperture is set to f /16 and the shutter speed (i.e. exposure time) to 1 / 100 or 1 / 125 [ 2 ] seconds (on some cameras 1 / 125 second is the closest ...