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  2. Painting with Fire - Wikipedia

    en.wikipedia.org/wiki/Painting_With_Fire

    Painting with Fire (PWF) is the name given to an immersion process for creating torch fired enamel jewelry.This process is the focal point of torch fired enamel jewelry workshops taught by Barbara A. Lewis, written about in her book, and discussed in Belle Armoire Jewelry, [1] [2] [3] Handcrafted Jewelry, [4] Bead Trends, [5] Stringing [6] and Bead Unique.

  3. Vitreous enamel - Wikipedia

    en.wikipedia.org/wiki/Vitreous_enamel

    Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating.

  4. Lustreware - Wikipedia

    en.wikipedia.org/wiki/Lustreware

    The mixture was applied to the glazed ware and fired in an enameling kiln, depositing a thin film of platinum or gold. [43] Platinum produced the appearance of solid silver, and was employed for the middle class in shapes identical to those uses for silver tea services, ca. 1810–1840. Depending on the concentration of gold in the lustring ...

  5. The 10 best places to buy jewelry online in 2024 - AOL

    www.aol.com/lifestyle/best-places-to-buy-jewelry...

    Shane Co. offers several generous policies that make it one of the best places to shop for jewelry online. It offers free express shipping and 60-day returns, as well as free jewelry cleaning and ...

  6. Cloisonné - Wikipedia

    en.wikipedia.org/wiki/Cloisonné

    The Byzantines perfected a unique form of cloisonné icons. Byzantine enamel spread to surrounding cultures and a particular type, often known as "garnet cloisonné" is widely found in the Migration Period art of the "barbarian" peoples of Europe, who used gemstones, especially red garnets, as well as glass and enamel, with small thick-walled cloisons.

  7. Overglaze decoration - Wikipedia

    en.wikipedia.org/wiki/Overglaze_decoration

    The kiln used for the second firing is usually called a muffle kiln in Europe; like other types of muffle furnaces the design isolates the objects from the flames producing the heat (with electricity this is not so important). For historical overglaze enamels the kiln was generally far smaller than that for the main firing, and produced firing ...