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The version of Neue Helvetica used as the system font in OS X 10.10 is specially optimised; Apple's intention is to provide a consistent experience for people who use both iOS and OS X. [89] [82] Apple replaced Neue Helvetica with the similarly looking San Francisco in iOS 9 and OS X El Capitan (10.11), [90] meaning OS X 10.10 was the only ...
The following other wikis use this file: Usage on af.wikipedia.org Lettertipe; Usage on bg.wikipedia.org Шрифт; Usage on bn.wikipedia.org ফন্ট
This list of fonts contains every font shipped with Mac OS X 10.0 through macOS 10.14, including any that shipped with language-specific updates from Apple (primarily Korean and Chinese fonts).
Helvetica Designer: Max Miedinger, Eduard Hoffman Class: Neo-grotesque : Highway Gothic Designer: Ted Forbes Class: Neo-grotesque : IBM Plex Sans Designer: Mike Abbink Class: Grotesque : Impact Designer: Geoffrey Lee Class: Grotesque : Interstate Designer: Tobias Frere-Jones Class: Mixed : Inter Designer: Rasmus Andersson Class: Neo-grotesque ...
Max Miedinger (24 December 1910 – 8 March 1980) was a Swiss typeface designer, [1] best known for creating the Neue Haas Grotesk typeface in 1957, renamed Helvetica in 1960. Marketed as a symbol of cutting-edge Swiss technology, Helvetica achieved immediate global success.
It is a version using Linotype's Stempel Studio source, based on Neue Helvetica, but without the extended width. Comparisons between Neue Helvetica and Nimbus Sans Novus at the same font size. While the design of the characters is based on Neue Helvetica, the two typefaces differ metrically: Nimbus Sans Novus has smaller x-height and is ...
A comparison of Arial, Helvetica and Monotype Grotesque 215 scaled to equivalent cap height showing the most distinctive characters. Arial copies Helvetica's proportions and stroke width but has design detailing influenced by Grotesque 215. Embedded in version 3.0 of the OpenType version of Arial is the following description of the typeface:
Univers (French pronunciation: ⓘ) is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. [1] Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths.