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Scott Spencer Storch (born December 16, 1973) is an American record producer and songwriter. Storch began his career as part of Philadelphia-based hip hop band the Roots , which he joined as a keyboardist prior to the release of their 1993 debut album, Organix .
The following list is a discography of production by Scott Storch, an American music producer. It includes songs produced, co-produced and remixed by year, artist, album and title. It includes songs produced, co-produced and remixed by year, artist, album and title.
The song, written by The Game and Scott Storch, was released as the album's second single on September 25, 2006. [1] The Game mentioned on radio station KDAY in Los Angeles, California that the track was recorded in Miami, Florida, but had the feel of a West Coast Dr. Dre record. The song peaked at number 46 on the Billboard Hot 100 chart.
You'd think a guy pictured often with the likes of Paris Hilton would keep a hand on his wallet. But Scott Storch, a 34-year-old hip-hop music producer who helped launch the career of Christina ...
Riders of the Storm: The Underwater Album is the debut album by rap group Boogiemonsters. [2] [3] It was released on August 9, 1994, through EMI America Records and was produced by the Boogiemonsters and was one of the first albums to feature session work from Scott Storch.
The song was written by Chris Brown, Felicia Ferraro and Antonio Stith, while its production was handled by Scott Storch and Avedon. "Undecided" is a midtempo R&B and pop song, with lyrics about Brown reflecting on his hesitation to fully commit to a woman.
"The Streets" is a song by American rapper WC, released as the first single from his second studio album Ghetto Heisman (2002). The song features guest appearances from fellow rappers Snoop Dogg and Nate Dogg, and is produced by record producer Scott Storch, who helped write the song alongside the three rappers.
The track was written and produced by Scott Storch, with additional songwriting by Aguilera and Matt Morris. An R&B and hip hop song with a dancehall outro, "Can't Hold Us Down" criticizes gender-related double standards.