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  2. The painter submerging viewers into hyperrealistic water worlds

    www.aol.com/painter-submerging-viewers-hyper...

    Across a series of 10 large-scale paintings, artist Calida Rawles captures the movement of women and girls suspended in water in her exhibition “A Certain Oblivion.” The painter submerging ...

  3. Marine art - Wikipedia

    en.wikipedia.org/wiki/Marine_art

    Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]

  4. Realism (arts) - Wikipedia

    en.wikipedia.org/wiki/Realism_(arts)

    Such scenes acted as a prelude for the popularity of scenes of work in genre painting in the 17th century, which appeared all over Europe, with Dutch Golden Age painting sprouting several different subgenres of such scenes, the Bamboccianti (though mostly from the Low Countries) in Italy, and in Spain the genre of bodegones, and the ...

  5. Ophelia (painting) - Wikipedia

    en.wikipedia.org/wiki/Ophelia_(painting)

    The prominent red poppy—not mentioned by Shakespeare's description of the scene—represents sleep and death. [5] At an early stage in the painting's creation, Millais painted a water vole—which an assistant had fished out of the Hogsmill—paddling next to Ophelia. In December 1851, he showed the unfinished painting to Holman Hunt's relatives.

  6. The Great Wave off Kanagawa - Wikipedia

    en.wikipedia.org/wiki/The_Great_Wave_off_Kanagawa

    Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.

  7. Peder Mørk Mønsted - Wikipedia

    en.wikipedia.org/wiki/Peder_Mørk_Mønsted

    He was the son of Otto Christian Mønsted and Thora Johanne Petrea Jorgensen. His father was a prosperous ship-builder. At an early age, he began receiving painting lessons at the art school in Aarhus. From 1875 to 1879, studied at the Royal Academy of Fine Arts with Niels Simonsen and Julius Exner.