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Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
Liebestraum means "love dream", or "dream of love" in German. Liebesträume, for piano by Franz Liszt; Liebestraum, 1991 movie by Mike Figgis
The corresponding article in the German Wikipedia has a heading "Liebestraum No. 3." I do not recall ever seeing this single piece called Liebesträume. I propose to delete the assertion that "Liebestraum" is wrong. Sicherman 17:25, 4 May 2012 (UTC) You have my support. -- ♬ Jack of Oz ♬ [your turn] 21:10, 4 May 2012 (UTC)
Sviatoslav Richter plays piano for the character of Liszt, including études and the famous "Liebestraum". The Hungarian version runtime is 174 minutes. The Soviet version is reduced down to 150 minutes, with some scenes deleted. The American version is reduced to 130 minutes, with many scenes deleted. Released in 1970 in Hungary and the Soviet ...
Liebestraum (German for "dream of love") is a 1991 American mystery film written and directed by Mike Figgis, and starring Kevin Anderson, Pamela Gidley, Bill Pullman, Zach Grenier, Alicia Witt, Taina Elg, and Kim Novak in her final film role to date.
Liszt's interest in unusual scales and modes increased greatly in his last years. This may have been a side benefit of his growing involvement in the political and musical destiny of Hungary as well as in nationalist music in general. He was led to explore or investigate in greater detail the scales of Hungarian and east European music.
Aestheticization of politics; Anti-communism; Anti-intellectualism; Anti-liberalism; Anti-pacifism; Blood and soil; Chauvinism; Class collaboration; Conspiracism
Goethe and Schiller in front of the Deutsches Nationaltheater and Staatskapelle Weimar, where many of Liszt's symphonic poems premiered. [4]According to cultural historian Hannu Salmi, classical music began to gain public prominence in Western Europe in the latter 18th century through the establishment of concerts by musical societies in cities such as Leipzig and the subsequent press coverage ...