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Many of their sweater patterns most closely associated with knitted ski sweaters have been published in English by the manufacturing company. The heritage of Norwegian knitting has been preserved, documented and translated into English language history, and pattern books, that are available to modern knitters, mostly notably by the author ...
In Norway, the pattern was already in use prior to 1857 on sweaters from Western Norway based on Danish designs. [1] Marit Guldsetbrua Emstad (born 1841), [2] a girl from Selbu, popularized the design in 1857 when she knitted three pairs of mittens with an eight-petalled rose design (åttebladrose) and brought them to church
Mittens and gloves were commonly twine-knitted in white (typically for women) or black (typically for men) wool yarn with a knitted or embroidered colourful pattern. Embroidered twine-knitted mittens with a fringe trimming are particularly associated with Dala-Floda were they are included in the traditional local costume. However, embroidered ...
Their knitwear designs draw both on traditional Scandinavian and on contemporary influences. Julekuler , their book of patterns for knitting woolen Christmas balls, sold more than 50,000 copies in Norway, and has been translated into several languages including English, where it is called 55 Christmas Balls to Knit . [ 1 ]
Detail of lusekofte pattern. The lusekofte (Norwegian: [ˈlʉ̀ːsəˌkɔftə], lice jacket), also called the Setesdalsgenser (Setesdal sweater) is a traditional Norwegian sweater, dating from the 19th century. The original sweater features a black and white design, the name referring to the isolated black stitches. [1]
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