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  2. Nihonga - Wikipedia

    en.wikipedia.org/wiki/Nihonga

    Yamatane Museum. Nihonga (Japanese: 日本画) is a Japanese style of painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting.

  3. Sumizuri-e - Wikipedia

    en.wikipedia.org/wiki/Sumizuri-e

    Sumizuri-e Print by Nishikawa Sukenobu. Sumizuri-e is a type of monochromatic woodblock printing that uses only black ink. It is one of the earliest forms of Japanese woodblock printing, dating back to the Nara period (710 – 794). Sumi-e translates to “ink wash painting,” which is a type of East Asian brush painting technique that uses ...

  4. Miyamoto Musashi - Wikipedia

    en.wikipedia.org/wiki/Miyamoto_Musashi

    Miyamoto Musashi (宮本 武蔵), born Shinmen Takezō (新免 武蔵, c. 1584 – 13 June 1645), [1] also known as Miyamoto Bennosuke and by his Buddhist name, Niten Dōraku, [2] was a Japanese swordsman, strategist, artist, and writer who became renowned through stories of his unique double-bladed swordsmanship and undefeated record in his 62 ...

  5. Ukiyo-e - Wikipedia

    en.wikipedia.org/wiki/Ukiyo-e

    Ukiyo-e. Ukiyo-e[a] is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.

  6. Nishiki-e - Wikipedia

    en.wikipedia.org/wiki/Nishiki-e

    Nishiki-e (錦絵, "brocade picture") is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu, who produced many nishiki-e prints between 1765 and his death five years later. Previously, most prints had been ...

  7. Byōbu - Wikipedia

    en.wikipedia.org/wiki/Byōbu

    Byōbu adorned samurai residences, conveying high rank and demonstrating wealth and power. This led to radical changes in byōbu crafting, such as backgrounds made from gold leaf (金箔, kinpaku) and highly colorful paintings depicting nature and scenes from daily life, a style pioneered by the Kanō school.

  8. Sesshū Tōyō - Wikipedia

    en.wikipedia.org/wiki/Sesshū_Tōyō

    To create his monochrome paintings in diluted greys and black ink, Sesshū used black sumi, meaning charcoal or soot-based solid ink on paper or silk, thus following the art of sumi-e [8] Some of Sesshū's most acclaimed works include Winter Landscape (c. 1470s), Four Landscape Scrolls of the Seasons (c. 1420 – 1506) and, Birds and Flowers (c ...

  9. Itō Jakuchū - Wikipedia

    en.wikipedia.org/wiki/Itō_Jakuchū

    Pictures of the Colorful Realm of Living Beings. Itō Jakuchū (伊藤 若冲, 2 March 1716 – 27 October 1800)[1] was a Japanese painter of the mid- Edo period when Japan had isolated itself from the outside world. Many of his paintings concern traditionally Japanese subjects, particularly chickens and other birds. Many of his otherwise ...