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  2. Bob Mackie - Wikipedia

    en.wikipedia.org/wiki/Bob_Mackie

    Robert Gordon Mackie (born March 24, 1939) [1] is an American fashion designer and costumier, best known for his dressing of entertainment icons such as Ann-Margret, Lucille Ball, Carol Burnett, Diahann Carroll, Carol Channing, Cher, Miley Cyrus, Doris Day, Marlene Dietrich, Barbara Eden, Lola Falana, Farrah Fawcett, Judy Garland, Mitzi Gaynor, Elton John, Julia Louis-Dreyfus, Bette Midler ...

  3. Bob Mackie Says He’s ‘Always Embraced’ Famous ... - AOL

    www.aol.com/bob-mackie-says-always-embraced...

    Bob Mackie and comedian Carol Burnett speak during a Q&A as part of the 25th annual Newport Beach Film Festival in Newport Beach, California, Oct. 20. ... Get sweaters on sale for the whole family ...

  4. At 83, Bob Mackie Is Still Sparkly As Ever - AOL

    www.aol.com/83-bob-mackie-still-sparkly...

    More than six decades since stepping into the limelight, Bob Mackie, the legendary costume designer behind iconic looks worn by Cher and Marilyn Monroe, looks back at his glittering career in an ...

  5. Cher's racy 'Turn Back Time' outfit left designer embarrassed ...

    www.aol.com/news/chers-racy-turn-back-time...

    Bob Mackie sometimes wishes he could turn back time. The costume designer, who first dressed Cher in 1967, has created some of the singer’s most iconic looks over the years. However, there is ...

  6. Went with the Wind! - Wikipedia

    en.wikipedia.org/wiki/Went_with_the_Wind!

    The script called for the dress to be hanging off Burnett, but Mackie did not find it funny. He asked the art director for a real curtain rod and green fabric and made the dress on a mannequin. [5] Burnett said that she came into costume fittings and when she saw the curtain rod she said it was the most brilliant sight gag ever. [6]

  7. Wearable art - Wikipedia

    en.wikipedia.org/wiki/Wearable_art

    The wearable art movement inherits from the Arts and Crafts movement, which sought to integrate art in everyday life and objects. Carefully handmade clothing was considered as a device for self-articulation and furthermore, a strategy to avoid the disempowerment of fashion users and designers by large-scale manufacturing.