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The Second British Invasion was a sharp increase in the popularity of British synth-pop and New Pop artists in the United States. [1] [2] [3] It began in the summer of 1982, peaked in 1983, and continued throughout much of the 1980s. MTV began in 1981. Its popularity was the main catalyst for the second British Invasion. [4]
The following is a list of groups and artists associated with the Second British Invasion music phenomenon, that occurred during the early and mid-1980s and was associated with MTV, including new wave music.
In the early 1980s, the duo reunited to record a new album and perform concerts, including a multi-band British Invasion nostalgia tour. After another long period of separation, in the early 2000s, Chad & Jeremy began performing again and developed a semi-regular tour schedule for many years.
In November 1983, Rolling Stone named it the "breakthrough song" of the Second British Invasion of the US. [7] In 2015, the song was voted by the British public as the nation's seventh-favourite 1980s number one in a poll for ITV. [8] And in 2022, Rolling Stone ranked it as one of the "200 Greatest Dance Songs of All Time". [9]
Pages in category "Second British Invasion artists" The following 63 pages are in this category, out of 63 total. This list may not reflect recent changes. ...
Their video for "I Ran (So Far Away)" received airplay on MTV during the Second British Invasion. [6] The band won a Grammy Award in 1983 for their instrumental "D.N.A." (1982). [7] In 2018, the members of the original lineup assembled to record the album Ascension with the Prague Philharmonic Orchestra. [8]
Part of the MTV-driven "Second British Invasion" of the US in 1982, Idol became an MTV staple with "White Wedding" and "Dancing with Myself". The music video for "White Wedding" was filmed by the British director David Mallet and played frequently on MTV. The motorcycle smashing through the church window stunt was carried out by John Wilson, a ...
Jones is associated with the 1980s Second British Invasion of the US. [3] [4] He has been described by the AllMusic editor Stephen Thomas Erlewine as "one of the defining figures of mid-'80s synth-pop", [1] and he performed at Live Aid in 1985. [5] He has sold over eight million albums. [6]