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The so-called golden age of hand-coloured photography in the western hemisphere occurred between 1900 and 1940. [11] The increased demand for hand-coloured landscape photography at the beginning of the 20th century is attributed to the work of Wallace Nutting. Nutting, a New England minister, pursued hand-coloured landscape photography as a ...
Many different techniques can be used during the enlargement process. Two examples of enlargement techniques are dodging and burning. Alternatively (or as well), the negative may be scanned for digital printing or web viewing after adjustment, retouching, and/or manipulation.
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903
This category contains categories and articles relating to the theory and methodology of composing and/or taking photographs, or to their manipulation during or after processing.
The term alternative process refers to any non-traditional or non-commercial photographic printing process. Currently, the standard analog photographic printing process for black-and-white photographs is the gelatin silver process. [1]
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
Dodging and burning are techniques used during the printing process to manipulate the exposure of select areas on a photographic print, deviating from the rest of the image's exposure. In a darkroom print from a film negative, dodging decreases the exposure for areas of the print that the photographer wishes to be lighter, while burning ...
Anaglyph images are much easier to view than either parallel sighting or crossed eye stereograms, although these types do offer more bright and accurate color rendering, most particularly in the red component, which is commonly muted or desaturated with even the best color anaglyphs.