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It has increasingly become known as a Mid-Atlantic accent, [7] [4] [5] or Transatlantic accent, [11] [6] [2] terms that refer to its perceived mixture of American and British features. In specifically theatrical contexts, it is also sometimes known by names like American Theatre Standard [ 10 ] [ 8 ] or American stage speech . [ 12 ]
Mid-Atlantic accent or Transatlantic accent may refer to: Good American Speech, a consciously learned American accent incorporating British features, mostly associated with early 20th-century actors and announcers; Northeastern elite accent, an accent of the Northeastern elite of the United States born between the 19th century and early 20th ...
Mid-Atlantic accent From an alternative name : This is a redirect from a title that is another name or identity such as an alter ego, a nickname, or a synonym of the target, or of a name associated with the target.
Whereas the British McKenzie takes on a harsh Bostonian accent for the role, Hathaway adopts Rebecca’s acquired transatlantic speech (“the kind of accent you hear in old movies,” Eileen ...
Both types of accent are most commonly labeled a Mid-Atlantic accent [8] [9] or Transatlantic accent. On the other hand, the linguist Geoff Lindsey argues that many Northern elite accents were not explicitly taught but rather persisted naturally among the upper class; [ 10 ] the linguist John McWhorter expresses a middle-ground possibility.
Regional dialects in North America are historically the most strongly differentiated along the Eastern seaboard, due to distinctive speech patterns of urban centers of the American East Coast like Boston, New York City, and certain Southern cities, all of these accents historically noted by their London-like r-dropping (called non-rhoticity), a feature gradually receding among younger ...
Sylvia, on the other hand, shows RP influences in all these same features, suggesting a more acquired-later-in-life Transatlantic accent: rounded LOT, backed START, a sometimes plosive [t] for intervocalic /t/, [a] (the "intermediate A" as I think Skinner calls it) for BATH, and an RP-style THOUGHT of the type [ɔː~oː].
From 1966 to 1999, he hosted 1,429 episodes of the public affairs television show Firing Line, the longest-running public affairs show with a single host in U.S. television history; through his work on the show, he became known for his Northeastern elite accent and wide vocabulary.