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An intuitively understandable example for a polyphonic instrument is a (classical) piano, on which the player plays different melody lines with the left and the right hand - depending on music style and composition, these may be musically tightly interrelated or may even be totally unrelated to each other, like in parts of Jazz music. An ...
[3] [4] [5] The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. [6] Not until the ars nova composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. [6]
It can be differentiated between two-, three- and four-voice polyphony. In Aromanian music, polyphony is common, and polyphonic music follows a set of common rules. [25] The phenomenon of Albanian folk iso-polyphony (Albanian iso-polyphony) has been proclaimed by UNESCO a "Masterpiece of the Oral and Intangible Heritage of Humanity".
This melody for the traditional song "Pop Goes the Weasel" is monophonic as long as it is performed without chordal accompaniment. [1]Play ⓘ. In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords.
Polyphonic instruments, such as the guitar, piano, and harp, can play multiple notes at once, and so can play both monophonic and polyphonic pieces. Bowed string instruments, such as the violin, viola, cello, and double bass, are capable of playing polyphony, but aren't capable of playing triads, or complete chords.
Although in music instruction certain styles or repertoires of music are often identified with one of these descriptions this is basically added music [clarification needed] (for example, Gregorian chant is described as monophonic, Bach Chorales are described as homophonic and fugues as polyphonic), many composers use more than one type of ...
Cantiga – Monophonic song of Spanish or Portuguese origin, often about religious themes or courtly love. Conductus – Latin sacred song, monophonic or polyphonic non-liturgical vocal composition. Descant – Form where one singer performed a fixed melody while others improvised harmonious and melodically independent lines.
The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond. [1]