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DADGAD tuning. D A D G A D, or Celtic tuning, is an alternative guitar tuning most associated with Celtic music, though it has also found use in rock, folk, metal and several other genres. Instead of the standard tuning (E 2 A 2 D 3 G 3 B 3 E 4) the six guitar strings are tuned, from low to high, D 2 A 2 D 3 G 3 A 3 D 4.
DADGAD tuning (listen) D-A-d-g-a-d' DADGAD was developed by Davey Graham in the early 1960s when he was travelling in Morocco, to more easily play along with Oud music. Among the first to use this tuning were the folk-blues guitarists of the '60s like Bert Jansch, John Renbourn, Martin Carthy, and John Martyn.
Al Petteway was an American guitarist known primarily for his acoustic fingerstyle work [1] both as a soloist and with well-known folk artists such as Amy White, Tom Paxton, Jethro Burns, Jonathan Edwards, Cheryl Wheeler, Debi Smith, Bonnie Rideout, Maggie Sansone and many others.
Folk baroque or baroque guitar is a distinctive and influential guitar fingerstyle developed in Britain in the 1960s, which combined elements of American folk, blues, jazz and ragtime with British folk music to produce a new and elaborate form of accompaniment.
Double drop D tuning: DADGBD, also known simply as double drop D, is an alternative guitar tuning: both E strings are tuned down ("dropped") one whole step ...
Drop D tuning is an alternative form of guitar tuning in which the lowest (sixth) string is tuned down from the usual E of standard tuning by one whole step to D. [1] So where standard tuning is E 2 A 2 D 3 G 3 B 3 E 4 (EADGBe), drop D is D 2 A 2 D 3 G 3 B 3 E 4 (DADGBe). Drop D tuning, as well as other lowered altered tunings, are often used ...
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Mícheál Seosamh Ó Domhnaill [2] was born 7 October 1951 in Kells, County Meath, Ireland. [1] His father, Aodh, was a teacher, a singer, and a collector of traditional music for the Irish Folklore Commission.