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Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985) is a book by educator Neil Postman. It has been translated into eight languages and sold some 200,000 copies worldwide. In 2005, Postman's son Andrew reissued the book in a 20th anniversary edition.
The information–action ratio is a concept coined by cultural critic Neil Postman in his work Amusing Ourselves to Death.In short, Postman meant to indicate the relationship between a piece of information and what action, if any, a consumer of that information might reasonably be expected to take once learning it.
Neil Postman (March 8, 1931 – October 5, 2003) was an American author, educator, media theorist and cultural critic, who eschewed digital technology, including personal computers, mobile devices, and cruise control in cars, and was critical of uses of technology, such as personal computers in school. [1]
The End of Education [1] is a book by Neil Postman about public education in the United States.The use of the word "end" in the title has two meanings: primarily, as a synonym for "purpose", but also as a prediction about the future of public schools if they do not successfully identify and communicate a convincing purpose for their existence within human culture.
Video cameras stationed outside the Manhattan courthouse where former President Donald Trump is on trial caught the gruesome scene Friday of a man who lit himself on fire and the aftermath as ...
Amused to Death is the third studio album by English musician Roger Waters, released 7 September 1992 on Columbia. Produced by Waters and Patrick Leonard, it was mixed in QSound to enhance its spatial feel. The album features Jeff Beck on lead guitar on several tracks. The album's title was inspired by Neil Postman's 1985 book Amusing Ourselves ...
Technopoly: The Surrender of Culture to Technology is a book by Neil Postman published in 1992 that describes the development and characteristics of a "technopoly". He defines a technopoly as a society in which technology is deified, meaning “the culture seeks its authorisation in technology, finds its satisfactions in technology, and takes its orders from technology”.
Luis Ortega’s absurdist comedy “Kill the Jockey,” which plays in Venice competition, is set in Argentina’s horse-racing community. “It’s a wild, wild world,” he tells Variety. “I ...