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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Sadhukkari (Devanagari: सधुक्कड़ी) was a vernacular dialect of the Hindi Belt of medieval North India, and a mix of Hindustani, Haryanvi, Braj Bhasha, Awadhi, Marwari, Bhojpuri and Punjabi, hence it is also commonly called a Panchmel Khichri. [1] [2] Since it is simpler, it is used in adult literacy books or early literacy books.
In pre-modern Chinese literature, the ideal man in caizi jiaren romances was said to have "rosy lips, sparkling white teeth" and a "jasper-like face" (Chinese: 唇 紅 齒 白、面 若 冠 玉). [149] [150] In Middle English literature, a beautiful man should have a long, broad and strong face. [151]
In Indian aesthetics, a rasa (Sanskrit: रस) literally means "juice, essence or taste". [1] [2] It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience, but cannot be described. [2]
To improve the cosmetic appearance of the nose; Sushruta's treatise provides the first written record of a cheek flap rhinoplasty, a technique still used today to reconstruct a nose. The text mentions more than 15 methods to repair it. These include using a flap of skin from the cheek, which is akin to the most modern technique today. [135] [136]
Chhayavad (Hindi: छायावाद) (approximated in English as "Romanticism", literally "Shaded") refers to the era of Neo-romanticism in Hindi literature, particularly Hindi poetry, 1922–1938, [1] and was marked by an increase of romantic and humanist content.
Shekhar: Ek Jivani is considered a unique and landmark novel in Hindi literature. [ 6 ] [ 13 ] The experimental nature of the novel gave it attention, [ 6 ] and many critics recognized it as the first psychoanalytical novel of Hindi literature due to its focus on thematising the gap between the external world and internal states. [ 2 ]
The highly metaphorical work is still celebrated for its deeply Vedantic and Sufi incantations and philosophical undertones [1] and is an important work in the Chhayavaad (Neo-romanticism) literary movement of early 20th century Hindi literature. All the rubaaiaa (the plural for rubaai) end in the word madhushala.