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This Proto-Cubist work is considered a seminal influence on subsequent trends in modernist painting. Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [1] Philosophy, politics, architecture, and social issues were all aspects of this movement.
Modernist literature scholar David Thorburn saw connections between literary style and impressionist painters such as Claude Monet. Modernist writers, like Monet's paintings of water lilies, suggested an awareness of art as art, rejected realistic interpretations of the world and dramatized "a drive towards the abstract". [21]
Clement Greenberg sees Modernism ending in the 1930s, with the exception of the visual and performing arts. [6] In fact many literary modernists lived into the 1950s and 1960s, though generally speaking they were no longer producing major works. The term late modernism is also sometimes applied to modernist works published after 1930. [7]
Characteristically, modernist art has a tendency to abstraction, is innovative, aesthetic, futuristic and self-referential. It includes visual art, literature, music, film, design, architecture as well as life style. It reacts against historicism, artistic conventions and institutionalization of art. Art was not only to be dealt with in ...
An English-language modernist group founded in 1914 that poetry based on description rather than theme, and on the motto, "the natural object is always the adequate symbol" [94] Ezra Pound, H.D., Richard Aldington: Dada: Touted by its proponents as anti-art, the Dada avant-garde focused on going against artistic norms and conventions [95]
John Quinn (April 14, 1870 in Tiffin, Ohio – July 28, 1924 in Fostoria, Ohio) [1] was an Irish-American cognoscente of the art world and a lawyer in New York City who fought to overturn censorship laws restricting modern literature and art from entering the United States.
The term "metamodern" first appeared as early as 1975, when scholar Mas'ud Zavarzadeh used it to describe emerging American literature from the mid-1950s, [5] and later notably in 1999 when Moyo Okediji applied the term to contemporary African-American art as an "extension of and challenge to modernism and postmodernism."
He developed the idea of modernism after following Spanish poets and being influenced by them heavily. Darío created a rhythm within his poetry to represent the idea of modernism. This changed the metric of Spanish literature. His use of the French method, Alexandrine verses, changed and enhanced the literary movement.