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In 1990 the Italian DJ and Producer Piero Fidelfatti, sampled a part of the main theme and made a house version of "Theme From S.W.A.T." (Magic Service/Discomagic MS001) In 1991 the rap group 3rd Bass sampled the instrumental in a remixed version of their song "3rd Bass Theme a.k.a. Portrait of the Artist as a Hood" on Def Jam Recordings.
Rhythm Heritage was a 1970s American disco-funk band, best known for their 1976 US number one single "Theme from S.W.A.T.". [1] It sold over one million copies and was awarded a gold disc by the Recording Industry Association of America (RIAA) in February 1976. [2]
W5 (during the 1970s and 1980s) ("Fool's Overture") – Supertramp; The Wackiest Ship in the Army – Howard Greenfield, Jack Keller and Helen Miller; Wagon Train – Jerome Moross; Walker, Texas Ranger ("Eyes of the Ranger") – Chuck Norris; The Walking Dead – Bear McCreary; Wall Street Week ("TWX in 12 Bars") – Donald Swartz
A spin-off of The Rookies, developed from a two-part pilot aired on February 17, 1975, S.W.A.T. follows a police Special Weapons and Tactics (SWAT) team operating in an unnamed Californian city. The series stars Steve Forrest , Robert Urich , Rod Perry , Mark Shera , and James Coleman as the titular team's officers.
The group performed themes for major motion pictures in the 1960s, 1970s, 1980s, and 1990s. ... Theme From SWAT and Other TV Themes [111] Ray Conniff: Columbia: 1977
In the world of police procedurals CBS’ “SWAT” endeavors to be an aspirational look at a highly-specialized law enforcement unit. Working with consultants on the “practicality of tactical ...
The THP Orchestra was a 1970s Canadian disco group from Toronto created by British producer Willi Morrison and Canadian producer Ian Guenther. [1] The band released its first album in 1977 and was nominated for a Juno Award for Most Promising New Group.
It is generally viewed [who?] as being another surprise project for Goldenthal, being that he usually gravitates towards more "intellectual" and "arthouse" type movies. . Although he has done a few "commercial" action movie type scores in the past, the decision to score S.W.A.T. was nevertheless interesting, [6] [7] [8] and Goldenthal has developed a reputation for choosing unlikely projects ...