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The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accomplished through sample rate conversion. When using this method, the frequencies in the recording are always scaled at the same ratio as the speed, transposing its perceived pitch up or down in ...
Vinyl records are easily scratched and vinyl readily acquires a static charge, attracting dust that is difficult to remove completely. Dust and scratches cause audio clicks and pops and, in extreme cases, they can cause the needle (stylus) to skip over a series of grooves, or worse yet, cause the needle to skip backwards, creating an unintentional locked groove that repeats the same 1.8 ...
Most devices capable of compressing audio dynamics can also be used to reduce the volume of one audio source when another audio source reaches a certain level; this is called side-chaining. [13] In electronic dance music , side-chaining is often used on basslines , controlled by the kick drum or a similar percussive trigger, to prevent the two ...
Using the album-gain values during playback will preserve the volume differences among tracks on an album. On playback, listeners may decide if they want all tracks to sound equally loud or if they want all albums to sound equally loud with different tracks having different loudness.
Note: This feature is currently exclusive to video playback. At present, only files that are in the Windows Media (.wmv) file format may be added to your playlist. Other file types such as .mpg, .mpeg, and .avi cannot be added to the playlist. Additionally, the files must be provided by AOL.
These filters worked over broad frequency ranges. Variable equalization in audio reproduction was first used by John Volkman working at RCA in the 1920s. That system was used to equalize a motion picture theater sound playback system. [7] [8] The Langevin EQ-251-A, designed by Art Davis, was the first equalizer to use slide controls. [when?
Audio level at a listener's ears depends on the listening environment, listener position, speaker sensitivity as well as amplifier gain. For loudness compensation to work correctly the playback system must also accurately assume what volume level was used in mastering .
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