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Dolby Atmos uses a similar technique, [30] [31] although the speaker layout employed by cinema DTS:X is the sum of Dolby Atmos and Auro-3D. The layout showcased at AMC Burbank theatre number 8 has a standard eight channel base layer, a five channel height layer on top of the base layer (on the front and side walls) and three rows of speakers on ...
Dolby Atmos home theaters can be built upon conventional 5.1 and 7.1 layouts. For Dolby Atmos, the nomenclature differs slightly by an additional number at the end, that represents the number of overhead or Dolby Atmos enabled speakers: a 7.1.4 Dolby Atmos system is a conventional 7.1 layout with four overhead or Dolby Atmos enabled speakers.
Dolby AC-3 (a backronym for Audio Codec 3, Advanced Codec 3, or Acoustic Coder 3), also known as ATSC A/52 (name of the standard) [18] or simply Dolby Digital (DD), is the common version containing up to six discrete channels of sound. Before 1996 it was marketed as Dolby Surround AC-3, Dolby Stereo Digital, and Dolby SRD. [19]
All Dolby Digital Plus decoders can decode Dolby Digital bitstreams. However, Dolby Atmos bitstreams are encoded to be backwards compatible with Dolby Digital Plus decoders, and as such Dolby Atmos can be decoded by Dolby Digital Plus compatible devices. This has been marketed by Dolby, as the lossy compression variation of Dolby Atmos under ...
The Dolby Laboratories recommendation for dialnorm has the force of law for US Digital Broadcasting, through the FCC's adoption of ATSC A/53 Annex B, section 5.5 Dialogue Level: "The value of the dialnorm parameter in the AC-3 elementary bit stream shall indicate the level of average spoken dialogue within the encoded audio program."
The device does not have an encoder but can decode Dolby Digital 5.1 signals. The Sound Blaster X7’s Bluetooth feature is only for receiving audio signals from Bluetooth devices, it can’t be used for transmitting audio signals to Bluetooth speakers and headphones. The Bluetooth codecs supported by the X7 are AAC, SBC, aptX and aptX Low Latency.
Dolby reintroduced the Dolby Surround terminology in 2014. The term now refers to a new upmixer whose purpose is to enable Dolby Atmos receivers and speaker configurations to serve non-Atmos signals. Dolby Surround is a complete replacement for Pro Logic that upmixes stereo and multi-channel inputs to play over Atmos configurations.
Dolby Atmos (and other Microsoft Spatial Sound engines; see AudioObjectType in SpatialAudioClient.h) additionally support a virtual "8.1.4.4" configuration, to be rendered by a HRTF. [45] The configuration adds to 7.1.4 with a center speaker behind the listener and 4 speakers below.
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