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The story of Pygmalion is the subject of Jean-Philippe Rameau's 1748 opera, Pigmalion. It was also the subject of Georg Benda's 1779 monodrama, Pygmalion. Ramler's poem Pygmalion was set to music as an aria by J.C.F.Bach in 1772, and as a cantata by Friedrich Benda in 1784. Pygmalion was the subject of Gaetano Donizetti's first opera, Il ...
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
Pygmalion is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera Le devin du village.Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment).
The story is based on the myth of Pygmalion as told in Ovid's Metamorphoses. In Rameau and Sauvot's version, the sculptor Pigmalion creates a beautiful statue to which he declares his love. In Rameau and Sauvot's version, the sculptor Pigmalion creates a beautiful statue to which he declares his love.
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
Pygmalion is a 1938 British film based on the 1913 George Bernard Shaw play of the same name, and adapted by him for the screen. It stars Leslie Howard as Professor Henry Higgins and Wendy Hiller as Eliza Doolittle .
Pygmalion and Galatea are two characters from Greco-Roman mythology. Pygmalion and Galatea may also refer to: Pygmalion and Galatea, a play by W. S. Gilbert; Pygmalion and the Image series, a series of paintings by Edward Burne-Jones; Pygmalion and Galatea (Gérôme painting), a painting by Jean-Léon Gérôme
The story was combined with and inflected the modern re-telling of the Pygmalion myth, especially in its treatment by George Bernard Shaw as the 1913 play Pygmalion, though Henry Higgins does not, in the play, display any romantic attraction to Eliza Doolittle whatsoever; thus, the parallel with the 'king and the beggar-maid' is not valid.