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Treble clef C major scale, treble clef. Play ⓘ The only G-clef still in use is the treble clef, with the G-clef placed on the second line. This is the most common clef in use and is generally the first clef learned by music students. [2] For this reason, the terms "G-clef" and "treble clef" are often seen as synonymous.
G clef (Treble clef) The spiral of a G clef (not a point on the spiral, but the center around which the spiral is drawn) shows where the G above middle C is located on the staff. A G clef with the spiral centered on the second line of the staff is called treble clef. [2] The treble clef is the most commonly encountered clef in modern notation ...
The treble clef or G clef was originally a letter G and it identifies the second line up on the five line staff as the note G above middle C. The bass clef or F clef identifies the second line down as the note F below middle C.
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440).
When the range was extended down by one note, to a G, that note was denoted using the Greek letter gamma (Γ), the lowest note in Medieval music notation. [ citation needed ] (It is from this gamma that the French word for scale, gamme derives, [ citation needed ] and the English word gamut , from "gamma-ut".
"The number of the notes that make up a scale as well as the quality of the intervals between successive notes of the scale help to give the music of a culture area its peculiar sound quality." [6] "The pitch distances or intervals among the notes of a scale tell us more about the sound of the music than does the mere number of tones." [7]
For example, the treble clef puts the G above middle C on the second line. The interval between adjacent staff positions is one step in the diatonic scale. Once fixed by a clef, the notes represented by the positions on the staff can be modified by the key signature or accidentals on individual notes.
Under this system, the notes in the example above are: m. 1: G ♮, G ♯, G ♯ (the sharp carries over) m. 2: G ♮ (with courtesy accidental), G ♭, G ♭ (the flat carries over) m. 3: G ♭ (which is tied from the previous note), G ♯, G ♮ (the natural sign cancels the sharp sign)