Search results
Results From The WOW.Com Content Network
Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .
A piece of blackout poetry, created by blocking out words from a piece of newsprint. Found poetry is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them (a literary equivalent of a collage [1]) by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning.
Thirteen Ways of Looking at a Blackbird" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem consists of thirteen short, separate sections, each of which mentions blackbirds in some way. Although inspired by haiku, none of the sections meets the traditional definition of haiku.
Don Juan by Lord Byron (1824), an example of a "mock" epic in that it parodies the epic style of the author's predecessors [12] Camões by Almeida Garrett (1825), narrating the last years and deeds of Luís de Camões; Dona Branca by Almeida Garrett (1826), the fantastic tale of the forbidden love between Portuguese princess Branca and Moorish ...
Ever darker, clouds descending ever lower over the sea, and the waves are singing, racing to the sky to meet the thunder. Thunder sounds. In foamy anger the waves groan, with wind in conflict. Now the wind firmly embraces flocks of waves and sends them crashing on the cliffs in wild fury, smashing into dust and seaspray all these mountains of ...
"Not Waving but Drowning" is a poem by the British poet Stevie Smith.It was published in 1957, as part of a collection of the same title. [1] The most famous of Smith's poems, [2] it gives an account of a drowned man, whose distant movements in the water had been mistaken for waving. [3]
Clough published the poem without a title in 1862. [1] In The Poems and Prose Remains of Arthur Hugh Clough, 1869, the poem was titled "Say Not the Struggle Nought Availeth". [1] There was probably no specific event in the poet's mind, although the failed revolutions of 1848 and 1849 may have been an inspiration. [1] [2]
Brontë's love of the sea is expressed in this poem. In it, the sea is portrayed as "The Great Liberator". [2]The line "the long withered grass in the sunshine is glancing" and the footnote she wrote at the bottom of the poem reveals that Brontë "loved wild weather, as she loved the sea, and hard country and snow". [3]