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The triangle of reference, or semiotic triangle. Figure taken from page 11 of The Meaning of Meaning.. The triangle of reference (also known as the triangle of meaning [1] and the semiotic triangle) is a model of how linguistic symbols relate to the objects they represent.
Raden Saleh Syarif Bustaman was born in 1811 in the village of Terboyo, near Semarang on the island of Java in the Dutch East Indies (present-day Indonesia).He was born into a noble Hadhrami family; his father was Sayyid Husen bin Alwi bin Awal bin Yahya, whose family had come to Java via Surat in India in the seventeenth century.
[2] He is a painter with strong characteristic in his expressive painting style, especially in his figurative expression, where he became a role model for the next generation of painters. Popo liked to paint cats, earning the nickname "cat painter". His famous motives are "Cat" [3] and "Rooster". However, he also paints numerous other themes ...
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Abdul Djalil Pirous (11 March 1932 – 16 April 2024), known as A.D. Pirous, was an Indonesian fine arts artist and lecturer.He was a pioneer in graphic design education at the Fine Arts Institute of Technology in Bandung, and the founder of an art and design studio called Decenta (1973–1983).
rūpa-āyatana – "visible objects," the external sense objects of the eye, one of the six external sense bases by which the world is known (see Fig. 2). nāma-rūpa – "name and form" or "mind and body," which in the causal chain of dependent origination ( paticca-samuppāda ) arises from consciousness and leads to the arising of the sense ...
According to Florian Cajori in A History of Mathematical Notations, Johann Rahn used both the therefore and because signs to mean "therefore"; in the German edition of Teutsche Algebra (1659) the therefore sign was prevalent with the modern meaning, but in the 1668 English edition Rahn used the because sign more often to mean "therefore".
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism.It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.