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Tavernier's original sketch of the diamond which became the Royal French Blue. Gouache of the great Golden Fleece [including the "Royal French Blue"] of king Louis XV of France, version 1 of 2008, painted by Pascal Monney (ca. 16 × 6 cm) The Hope Diamond, which was cut from the Royal French Blue, part of the French Crown Jewels stolen in 1792.
The Napoleon Diamond Necklace is somewhat atypical of other contemporary works produced by Marie-Étienne Nitot. [1] Other pieces commissioned from him by Emperor Napoleon, such as the two parures celebrating the Emperor's marriage to Archduchess Marie Louise of Austria, the Marie Louise Diadem, the wedding jewels for Empress Joséphine, etc., all demonstrate a predilection for highly ...
A diamond ring was involved in these ceremonies, described as "a great ring of gold enamelled set with five diamonds, hand in hand in the midst, called the espousall ring of Denmark". This ring, and a gold jewel with the crowned initials "J.A.R" picked out in diamonds, were earmarked as important Scottish jewels and brought to England by King ...
A cup of gold with imagery the knop a crown imperial and about border of the cover and the foot a crown garnished with 61 pearls. [8] no. 49 A jewelled gold cup given to James VI of Scotland at the christening of Prince Henry at Stirling Castle on 30 August 1594. [9] no. 75 A cup of "assaye" of gold fair wrought and enamelled.
The jewelry of the Byzantine Empire often features religious images or motifs such as the cross, even in pieces that were for secular use. Elaborate Roman styles were continued, but with growing use of cloisonné enamel. The main commissions for gold work and jewelry came from the Court or the Church. [18]
Black Magic, a film starring Orson Welles (1949), an adaptation of Alexandre Dumas's novel Joseph Balsamo (Mémoires d'un médecin: Joseph Balsamo, 1846–48) (a.k.a. Memoirs of a Physician, Cagliostro, Madame Dubarry, The Countess Dubarry, or The Elixir of Life) the first of his Marie Antoinette romances. The Queen of Diamonds, by Jean Plaidy ...
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Detailed view of the recreated great Golden Fleece of king Louis XV of France. Below the 107 carats (21.4 g) spinel Côte de Bretagne hangs the French Blue diamond and the fleece itself, set with hundreds of yellow diamond replicas. The Tavernier Blue was the precursor diamond to the Blue Diamond of the French Crown (aka the French Blue).