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But, being concerned with human forms (at least in Schopenhauer's day) and human emotions, these art forms were inferior to music, which being a direct manifestation of will, was to Schopenhauer's mind the highest form of art. Schopenhauer's philosophy of music was influential in the works of Richard Wagner. Wagner was an enthusiastic reader of ...
Theosophy takes art into Dan Brown territory. No serious student of art history wants to touch it. [205] Januszczak claimed also that Theosophy was "fraudulent" and "ridiculous," and that "one day, someone will write a big book on the remarkable influence of Theosophy on modern art" and "its nonsensical spell" on so many modern artists. [206]
Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
Art tends to have a way to reach people's emotions on a deeper level and when creating art, it is a way for them to release the emotions they cannot otherwise express. There is a professional denomination within psychotherapy called art therapy or creative arts therapy in which deals with diverse ways of coping with emotions and other cognitive ...
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1] Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [ 2 ] thus, the function of aesthetics is ...
The National Gallery of Art, in Washington D.C., states that the painting has complex iconography. [2] Art critic Ken Johnson writing for The New York Times said it "falls far short of the kind of dynamism that Rubens could bring to such mythological symbolism" and calls it a "big, sugary allegory" with winged putti fluttering about. [3]
This was a fax art project, initiated by the conceptual artist Ueli Fuchser, in which faxes with drawings of all three artists were sent within 32 minutes around the world – from Düsseldorf (Germany) via New York (USA) to Tokyo (Japan), and received at Vienna's Palais-Liechtenstein Museum of Modern Art. This fax event was a sign of peace ...
He was born in New York City in 1920 to William Ziff and Bessie Goldstein Ziff. His brother Morton was born three years earlier. He studied art at Columbia University and New York's Master Institute of Arts in 1937–1939, and was a practicing artist, partially subsidized by the Solomon R. Guggenheim Foundation until 1942.