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Much of Blondeau's work revolves around the misrepresentation of First Nations women in popular culture and media culture.She regularly works with positive and negative associations attached to the tropes of the Indian Princess and the Squaw, examining how post-colonial imagery impacts the reception of Aboriginal women in urban communities. [6]
This is partly due to organizations that focus attention on the achievements and welfare of Indigenous Canadians like, Congress of Aboriginal Peoples, Native Women's Association of Canada, Aboriginal Curatorial Collective, National Aboriginal Health Organization, Metis Child and Family Services Society and Aboriginal Peoples Television Network.
The Native Women's Association of Canada (NWAC; French: Association des femmes autochtones du Canada [AFAC]) is a national Indigenous organization representing the political voice of Indigenous women, girls, and gender-diverse people in Canada, inclusive of First Nations on and off reserve, status and non-status, disenfranchised, Métis, and Inuit.
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Michelle LaVallee is a Canadian curator, artist, and educator.She is Ojibway and a member of the Chippewas of Nawash Unceded First Nation in Cape Croker, Ontario.She has BFA (2000) and BEd (2004) degrees from York University in Toronto.
In 2005 her work Fountain was shown at the Canadian Pavilion of the 51st Venice Biennale, as the first aboriginal artist ever to represent Canada at the event. [12] [13] In the same year she exhibited as part of Sweet Taboos at the 3rd Tirana Biennale, Tirana, Albania. Jolene Rickard's Venice Biennale Catalogue essay describes Belmore's work:
Susan McEachern (born 1951), American-Canadian photographer, work often includes text; Sheila McKinnon, Canadian born photographer and journalist; Meryl McMaster (born 1988), photographer whose best known work explores her Indigenous heritage; Jean Gainfort Merrill (born 1913), photojournalist; Léna Mill-Reuillard (fl 2016), cinematographer ...
Sue Coleman (born March 1947) is a Wildlife painter from England who moved to Vancouver Island, in Canada in 1967.Coleman is known for her watercolour paintings in which she uses a controversial style mimicking the styles and motifs of Indigenous art. [1]