Search results
Results From The WOW.Com Content Network
The sisiutl is a legendary creature found in many cultures of the Indigenous peoples of the Pacific Northwest Coast, notably the Kwakwakaʼwakw. [1] Typically, it is depicted as a double-headed sea serpent. Sometimes, the symbol features an additional central face of a supernatural being.
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Natsilane does so, and over the years the seeds grow into a bewildering array of tree species, all of which are now native in the Pacific Northwest. Natsilane uses wood from the trees to carve tools and a boat. Haida grave totem with Blackfish motif, 19th c. In appreciation of Sea otter, Natsilane then tries to carve a new totem.
In many Tlingit and other stories in the Northwest, the Raven is a central protagonist; having stolen the sun, the waters, and the fish in order to create and provide for the lands of the Tlingit. [6] Totem poles also fulfilled the role of showing off the power of a ruler or family and commemorating the dead.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The reputation of a pole's maker depended on the quality of his work. The Kwakwaka'wakw style of totem uses more protruding elements than other Northwest coast totems, such as stretching limbs, beaks jutting out, and wings thrust away from the body of the pole. [24] Painting followed a scheme of alternating dark and light colors for contrast.
Hamatsa: The Enigma of Cannibalism on the Pacific Northwest Coast by Jim McDowell; Chiefly Feasts: The Enduring Kwakiutl Potlatch by Aldona Jonaitis; Aldona Jonaitis (1998). From the Land of the Totem Poles. University of Washington Press. ISBN 0-295-97022-7. The Kwakiutl Indians of British Columbia by Ronald Rohner and Evelyn Bettauer