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After his exile from political life in 1512, Machiavelli took to a life of writing, which led to the publishing of his most famous work, The Prince.The book would become infamous for its recommendations for absolute rulers to be ready to act in unscrupulous ways, such as resorting to fraud and treachery, elimination of political opponents, and the use of fear as a means of controlling subjects ...
The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by the Italian diplomat, philosopher, and political theorist Niccolò Machiavelli in the form of a realistic instruction guide for new princes.
For Adams, Machiavelli restored empirical reason to politics, while his analysis of factions was commendable. Adams likewise agreed with the Florentine that human nature was immutable and driven by passions. He also accepted Machiavelli's belief that all societies were subject to cyclical periods of growth and decay.
Machiavelli relates this belief held by Roman rulers to a quote from Lorenzo de' Medici: "And that which the lord does, many do later; For all eyes are turned to the lord." [69] Chapter 30 pertains to how envy must be eliminated if a man wants to do good work in the republic, and that if one sees the enemy, he must order the defense of his city ...
Machiavelli emphasizes that a ruler must be able to do evil, because to maintain political power you will have to overcome your enemies who are also wicked. Machiavelli uses the example of the ancient Greek tyrant Agathocles, who had the entire elite of Syracuse killed in order to seize control of the government. Machiavelli says that this is a ...
Niccolo's Smile: A Biography of Machiavelli is a translation of Machiavelli's diaries and memoirs by Maurizio Viroli, a scholar from the University of Bologna, Italy, and Princeton University. Published in 1998 using Machiavelli's original source materials, the author recreates his biography.
Scipione Ammirato, was highly critical of Machiavelli's Florentine Histories; he said that Machiavelli «altered names, twisted facts, confounded cases, increased, added, subtracted, diminished and did anything that suited his fancy without checking, without lawful restraint and what is more, he seems to have done so occasionally on purpose!» [2]
In English Renaissance theatre (Elizabethan and Jacobian), the term "Machiavel" (from 'Nicholas Machiavel', an "anglicization" of Machiavelli's name based on French) was used for a stock antagonist that resorted to ruthless means to gain and preserve royal authority, and is an archaic variant of the word "Machiavellian".