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Embodied meaning results from attributes embodied in the aesthetic stimulus, independent of context and the semantic content it may evoke. This meaning is evoked from properties within the stimulus, that is feelings and other responses are activated simply from exposure to the color.
In particular, the function, expression, and meaning of different emotions are hypothesized to be biologically distinct from one another. A theme common to many basic emotions theories is that there should be functional signatures that distinguish different emotions: we should be able to tell what emotion a person is feeling by looking at his ...
The emotional feeling of beauty, or an aesthetic experience, does not have a valence emotional undercurrent. Rather it is general cognitive arousal due to the fluent processing of a novel stimuli. [11] Some authors believe that aesthetic emotions is enough of a unique and verifiable experience that it should be included in general theories of ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
"The green line theory does not take into account the norm or baseline of the individuals, the history of past behavior, the emotional state and most importantly, context," Clemons, author of Back ...
The phrase circulates in modern vernacular as well as literary theory. For example, Newsweek published a piece by Anna Quindlen entitled "The Problem of the Color Line," about the continuing plague of racial discrimination in the United States. [12] The phrase does not only find use in the print world, either.
The black heart emoji can be used to convey those feelings. Because it is the color black, it might also mean that the person sending it to you is feeling a little more serious than usual.
The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.