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New Historicism, a form of literary theory which aims to understand intellectual history through literature and literature through its cultural context, follows the 1950s field of history of ideas and refers to itself as a form of cultural poetics.
This New Historicism opposes the ways in which New Criticism consigns texts "to an autonomous aesthetic realm that [dissociates] Renaissance writing from other forms of cultural production" and the historicist notion that Renaissance texts mirror "a coherent world-view that was held by a whole population," asserting instead "that critics who ...
New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading , particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object.
Neema Parvini is a British-Iranian YouTuber and academic, currently a senior fellow at the Centre of Heterodox Studies at the University of Buckingham. [1] He has worked at Richmond, The American International University in London, [2] Brunel University, [3] Royal Holloway, and the University of Surrey.
Leo Strauss used the term historicism and reportedly termed it the single greatest threat to intellectual freedom insofar as it denies any attempt to address injustice-pure-and-simple (such is the significance of historicism's rejection of "natural right" or "right by nature"). Strauss argued that historicism "rejects political philosophy ...
Subversion and containment is a concept in literary studies introduced by Stephen Greenblatt in his 1988 essay "Invisible Bullets". [1] It has subsequently become a much-used concept in new historicist and cultural materialist approaches to textual analysis.
Cultural materialism emerged as a theoretical movement in the early 1980s along with new historicism, an American approach to early modern literature, with which it shares common ground. The term was coined by Williams, who used it to describe a theoretical blending of leftist culturalism and Marxist analysis.
Biographical Criticism, like New Historicism, rejects the concept that literary studies should be limited to the internal or formal characteristics of a literary work, and insists that it properly includes a knowledge of the contexts in which the work was created. Biographical criticism stands in ambiguous relationship to Romanticism. It has ...