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German cartoonist F. K. Waechter's Anti-Struwwwelpeter (1970) is a parody of Der Struwwelpeter. [ 2 ] Comic book writer Grant Morrison references "Die Geschichte vom Daumenlutscher" in the first story arc of their Doom Patrol run with the recurring line, "The door flew open, in he ran / The great, long, red-legged scissorman."
Originally called Lach- und Sachgeschichten für Fernsehanfänger, it was controversial because West German law prohibited television for children under six years of age. [4] [5] Today, the show is beloved and easily recognized among Germans for its theme, its mascots and the introduction as "Lach- und Sachgeschichten" (Funny and Documentary ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Help. German children's animated television series. ...
Welcome to the funny world of Bill Whitehead, the creator of the comic Free Range! Bill’s single-panel comics are quick and clever, giving you a good laugh in just one frame. With his unique ...
Bernd das Brot puppet and puppeteer Jörg Teichgraeber [] during an autograph session. Bernd das Brot (English: lit. "Bernd the Bread", or "Bernie Bread") is a puppet character, star mascot, and pop cultural icon of the German children's television channel KiKA, [1] [2] [3] currently featured in the programs Bernd das Brot, Bravo Bernd, and the KiKA late night loop programme. [4]
Father and Son (German: Vater und Sohn) are cartoon figures created by E. O. Plauen (often stylized as e.o.plauen). The pantomime comic [1] depicts a plump, balding father and his son grappling with various everyday situations. The cartoon was a weekly feature in the Berliner Illustrirte Zeitung from 1934 to 1937. [2]
Pages in category "German children's television series" The following 104 pages are in this category, out of 104 total. This list may not reflect recent changes .
The Mainzelmännchen are six comedic cartoon characters used as mascots for the German public service television broadcaster ZDF. They first appear on television in 1963 to accommodate a government regulation prohibiting confusion between broadcast advertising and content. The cartoon characters served as a transition between the two. [1]