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In a Station of the Metro" is an early work of Modernist poetry as it attempts to "break from the pentameter", incorporates the use of visual spacing as a poetic device, and does not contain any verbs. [3] The work originally appeared with different spacing between the groups of words. This can be found in the on-line version of Poetry magazine ...
The poem in BL Add. MS 14997, a manuscript dating from c. 1500. The academic critic Huw Meirion Edwards considered that "The Seagull"’s imagery goes far beyond anything that had come before it in Welsh poetry, [7] and Anthony Conran wrote that "pictorially it is superb…[it] has the visual completeness, brilliance and unity of a medieval illumination, a picture from a book of hours". [8]
Lowell's partner Ada Dwyer Russell was the subject of many of her romantic poems.. Lowell's partner Ada Dwyer Russell was the subject of many of Lowell's romantic poems, [20] and Lowell wanted to dedicate her books to Russell, but Russell would not allow that, and relented only once for Lowell's biography of John Keats, in which Lowell wrote, "To A.D.R.,
Imagism. The expatriate American poet Ezra Pound in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry, Des Imagistes, published in 1914. Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist ...
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
John Lawrence Ashbery[1] (July 28, 1927 – September 3, 2017) was an American poet and art critic. [2] Ashbery is considered the most influential American poet of his time. Oxford University literary critic John Bayley wrote that Ashbery "sounded, in poetry, the standard tones of the age." [3] Langdon Hammer, chair of the English Department at ...
The Road Not Taken. " The Road Not Taken " is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation ...
A 1913 photograph of Ezra Pound, one of the most influential modernist poets. The roots of English-language poetic modernism can be traced back to the works of a number of earlier writers, including Walt Whitman, whose long lines approached a type of free verse, the prose poetry of Oscar Wilde, Robert Browning's subversion of the poetic self, Emily Dickinson's compression and the writings of ...