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The English word rondo comes from the Italian form of the French rondeau, which means "a little round". [3] Today the word rondo is widely used in the English language to refer to any musical work, vocal or instrumental, containing a principal theme which alternates with one or more contrasting themes. However, some English and German speaking ...
The rondò is distinct from the refrain form called rondo. [6] In recent English and German musical literature, the Italian spelling and pronunciation (with accent on the last syllable) has been adopted to distinguish this from the (predominantly instrumental) form called rondo (with accent on the first syllable).
Minuet in the Classical period. A minuet (/ ˌmɪnjuˈɛt /; also spelled menuet) is a social dance of French origin for two people, usually written in 3. 4 time but always played as if in 6. 8 (compound duple metre) to reflect the step pattern of the dance. The English word was adapted from the Italian minuetto and the French menuet.
Ternary form, sometimes called song form, [ 1 ] is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel 's Messiah, Chopin 's Prelude in D ...
Rondo form involves the repeated use of a theme (sometimes called the "refrain") set in the tonic key, alternating with episodes, resulting in forms such as ABACA (the five-part rondo) or ABACADA (the seven-part rondo). In a rondo, the refrain (A) may be varied slightly. The episodes (B, C, D, etc.) are normally in a different key than the tonic.
Rondo form – contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes, generally called "episodes", but also occasionally referred to as "digressions" or "couplets". Some possible patterns include: ABACA, ABACAB, ABACBA, or ABACABA.
e. A rondeau (French: [ʁɔ̃do]; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th ...
Symphony No.41 in C major K.551: similarities in the principal rising dotted-rhythmic motifs of the first movement and the second movement; the dotted-rhythmic motif of the second movement develops into a theme that resembles one of the five themes of the finale; the minuet foreshadows the "C-D-F-E" motif of the finale