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Old 100th is commonly used to sing the lyrics that begin "All People That on Earth Do Dwell," Psalm 100, a version that originated in the Anglo-Genevan Psalter (1561) and is attributed to the Scottish clergyman William Kethe. [5] Kethe was in exile at Geneva at this time, as the Scottish Reformation was only just beginning.
He had received an invitation to set three psalms for the new reformed Jewish Hamburg Temple, Psalm 24, Psalm 84 and Psalm 100, but only correspondence has survived, including disputes about the text and the scoring, and no music. [4] The setting of Psalm 100 in Martin Luther's translation was probably intended for the Berlin Cathedral. [4]
Psalm 100 is the 100th psalm in the Book of Psalms in the Tanakh. [1] In English, it is translated as "Make a joyful noise unto the Lord, all ye lands" in the King James Version (KJV), and as "O be joyful in the Lord, all ye lands" in the Book of Common Prayer (BCP).
Chichester Psalms is an extended choral composition in three movements by Leonard Bernstein for boy treble or countertenor, choir and orchestra. The text was arranged by the composer from the Book of Psalms in the original Hebrew. Part 1 uses Psalms 100 and 108, Part 2 uses 2 and 23, and Part 3 uses 131 and 133. [1]
Later, perhaps in 1958, Philip requested that Britten compose a setting of Psalm 100 (Jubilate Deo) for St George's Chapel, Windsor Castle. [1] [2] The psalm is a regular part of Anglican morning prayer. [3] Britten completed the music in Aldeburgh in February 1961, [1] using the version of Psalm 100 found in the Book of Common Prayer.
As in these models, Handel composed a combination of two liturgical texts, the Ambrosian Hymn Te Deum, We praise thee, O God, and a setting of Psalm 100, O be joyful in the Lord, all ye lands, which is a regular canticle of the Anglican Morning Prayer. He followed the version of the Book of Common Prayer.
In music, the Psalms chord is the opening chord of Igor Stravinsky's Symphony of Psalms. It is a "barking E minor triad" [1] that is voiced "like no E-minor triad that was ever known before" [2] – that is, in two highly separate groups, one in the top register and the other in the bottom register. The third of the E-minor triad, rather than ...
It is supposed to have been written in 1525 "at the request of the Margrave Albrecht, as a version of his favourite Psalm". [2] The hymn was published in Nürnberg as a broadsheet around 1540, and in Augsburg in the hymnal Concentus novi by Hans Kugelmann in 1540, [ 2 ] with a hymn tune , Zahn No. 8244, [ 3 ] derived from the secular song ...