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The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
This is an alphabetized list of musicians notable for playing or having played jazz piano. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic, harmonic, and rhythmic capabilities. [1
List of cool jazz and West Coast jazz musicians and vocalists. A. Curtis Amy [1]: 97, 105 ... Cal Tjader [1]: 96 - vibraphone, drums, piano; Cy Touff;
19 Piano. 20 Saxophone. 21 Trombone. 22 Trumpet. 23 Tuba. 24 Vibraphone. 25 Violin. 26 Vocal. ... This is a list of jazz musicians by instrument based on existing ...
Frankie Laine (at piano) and Patti Page, c. 1950 Harry Belafonte, 1954 This is a partial list of notable active and inactive bands and musicians of the 1950s . Musicians
James Price Johnson (February 1, 1894 – November 17, 1955) was an American pianist and composer. A pioneer of stride piano, he was one of the most important pianists in the early era of recording, and like Jelly Roll Morton, one of the key figures in the evolution of ragtime into what was eventually called jazz. [1]
Reuben Reeves, American jazz trumpeter and bandleader (born 1905). 25 – Shotaro Moriyasu, Japanese pianist (born 1924). November. 10 – Junior Raglin, American upright bassist (born 1917). 17 – James P. Johnson, American pianist and composer (born 1894). December. 3 – Cow Cow Davenport, American pianist, organist, and singer. Unknown date
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.