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The Gothic often uses scenery of decay, death, and morbidity to achieve its effects (especially in the Italian Horror school of Gothic). However, Gothic literature was not the origin of this tradition; it was far older. The corpses, skeletons, and churchyards so commonly associated with early Gothic works were popularized by the Graveyard poets.
There were several origin stories of the Gothic peoples recorded by Latin and Greek authors in late antiquity (roughly 3rd–8th centuries AD), and these are relevant not only to the study of literature, but also to attempts to reconstruct the early history of the Goths, and other peoples mentioned in these stories.
Concerning the origin of the Goths before the 3rd century, there is no consensus among scholars. [ 1 ] [ 2 ] It was in the 3rd century that the Goths began to be described by Roman writers as an increasingly important people north of the lower Danube and Black Sea , in the area of modern Romania , Republic of Moldova , and Ukraine .
The emergence of the "ab-human" in American gothic fiction was closely coupled with the emergence of Charles Darwin's theories of evolution. [5] Ideas of evolution or devolution of a species, new biological knowledge, and technological advancement created a fertile environment for many to question their essential humanity.
A crucial source on Gothic history is the Getica of the 6th-century historian Jordanes, who may have been of Gothic descent. [31] [32] Jordanes claims to have based the Getica on an earlier lost work by Cassiodorus, but also cites material from fifteen other classical sources, including an otherwise unknown writer, Ablabius.
The themes and concepts of Monster Literature are rooted in 18th century Gothic literature. The earliest examples of Gothic literature can be traced all the way back to English author Horace Walpole's novel The Castle of Otranto (1764). [1] However, monster literature first emerged in the 19th century with the release of Mary Shelley's ...
Shirley Jackson is one of the iconic writers of horror of the 20th century, and her final novel, We Have Always Lived in the Castle, is a gothic masterpiece. The story follows 18-year-old Merricat ...
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...