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Made and painted by Lucas Cranach the Elder, the painting depicts Jesus Christ with children, based on the New Testament verse "Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God" (Mark 10:14); a popular subject of Protestant iconography in line with the Lutheran teachings of Sola gratia and Sola Fide; salvation by grace through faith, a theme ...
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Christ Blessing the Children; Christ Blessing the Children (Lucas Cranach the Elder) The Christ Child and the Infant John the Baptist with a Shell; Christ Child with a Walking Frame; Christ embracing Saint Bernard (Ribalta) Christ Enthroned (Cima da Conegliano) Christ Enthroned (Moskos) Christ Enthroned (Tzanes) Christ enthroned with the Virgin ...
German theologian Heinrich Meyer suggests that Jesus' challenge to his disciples is to "turn round upon [the] road, and to acquire a moral disposition similar to the nature of little children". [3] Christ blessing the Children by Lucas Cranach the Younger. The Kingdom of Heaven is compared to little children at other places in the New Testament:
The work's alternative title, "Suffer the little children to come unto me" is based on a passage from the gospel of Matthew in which Jesus was instructing his disciples through the example of children. The painting is part of the artist's body of religious work, which is less well-known than her depictions of strong women.
Suffer little children to come unto me or Let the Little Children Come to Me, is a painting attributed to the Dutch painter Rembrandt. The subject of the portrait is the teaching of Jesus about little children and it is estimated that Rembrandt painted it in Leiden in the 1620s. [1] The painting as it looked in 2014 before restoration ...
Jesus [d] (c. 6 to 4 BC – AD 30 or 33), also referred to as Jesus Christ, [e] Jesus of Nazareth, and many other names and titles, was a 1st-century Jewish preacher and religious leader. [10] He is the central figure of Christianity , the world's largest religion .
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...